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TIME: Almanac 1995
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TIME Almanac 1995.iso
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0730105.000
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<text id=90TT1989>
<title>
July 30, 1990: A Conjuration of the Past
</title>
<history>
TIME--The Weekly Newsmagazine--1990
July 30, 1990 Mr. Germany
</history>
<article>
<source>Time Magazine</source>
<hdr>
NATION, Page 21
A Conjuration of the Past
</hdr>
<body>
<p>Nixon's library enshrines his fight for vindication
</p>
<p> A seance on a hot day in Orange County, Calif. Everything
in the cloudless morning seemed like a memory of itself from
long ago. Gene Autry stood and waved his white Stetson. Billy
Graham and Norman Vincent Peale materialized. Bob Hope shambled
slow-motion across the stage like an amiable pink hologram.
Four Republican Presidents were there, and four First Ladies.
The centerpiece, Richard Nixon's career, was laid out in a sort
of waxen splendor. Scarcely a trace of the fatal accident
showed.
</p>
<p> The ceremony to dedicate the Richard Nixon Library and
Birthplace was a strange conjuration of the past, subdued and
defiant at the same time, like the man himself: an assertion
of greatness, a denial of disgrace. Watergate sat
inconspicuously in the audience (H.R. Haldeman, Ron Ziegler,
Rose Mary Woods, among others from the memorable cast), but
only George Bush mentioned the subject in passing. A flock of
white doves went blurring over the University of Southern
California Trojan marching band. The other Presidents praised
Nixon as statesman and peacemaker. What seemed like several
billion red, white and blue balloons were cut loose and sailed
away in the flawless blue.
</p>
<p> It was to be Richard Nixon's day of vindication, his
ultimate emergence from the "wilderness" that followed
Watergate. It has been 16 years since he flew west to San
Clemente in disgrace. He worked long, stubbornly and bravely,
to rehabilitate his reputation. He wrote seven books, traveled
the world, kept himself on a relentless forward trajectory. He
was performing yet again his old miracle of self-resurrection.
</p>
<p> The ceremony at the library, however, felt like a
culmination. The compound at Yorba Linda is a single-story,
pink sandstone museum and library that cost $21 million and
looks like a suburban mini-mall. It stands beside the small,
white frame farmhouse where Nixon was born in 1913. Having
consecrated the place--his life from birth through presidency
all handsomely compacted there--Nixon completed a circle. As
he spoke last week, he seemed a little tired and rambling. It
had after all been an exhausting 77-year circuit from the room
where he was born to this ritual of fulfillment. But even in
the mellowness of the moment, Nixon still gave off emanations
of the film-noir pol that a part of him has always played, the
shadow of that something in his character that is remorseless
and bruised and unforgetting.
</p>
<p> Nixon's has been an astonishing story of ambition and
endurance. His fascination derives from some primal quality in
him to which Americans have always responded, sometimes with
a hatred so fierce as to be nearly inexplicable on rational
grounds. The Nixon on view in Yorba Linda is a version
carefully controlled by Nixon himself. His is the only
President's library built and operated entirely with private
funds, except for the Rutherford B. Hayes library in Fremont,
Ohio. The library is Nixon's show. It will contain only a very
careful selection of the presidential papers. The original
papers are stored in a government archives in Alexandria, Va.
Nixon has succeeded in blocking the release of 150,000 pages
of documents. One can understand why a man who failed to burn
the White House tapes that eventually doomed his presidency
would in later life grow careful about information and its
control.
</p>
<p> The Nixon compound is thus more a museum than a serious
scholar's archives. The 293-seat theater continuously runs a
movie called Never Give Up: Richard Nixon in the Arena. A
hallway gallery displays 30 of the 56 TIME covers on which
Nixon appeared. Exhibits lead visitors through the whole saga
with photographs and artifacts, including a hollowed-out
pumpkin, microfilm and a Woodstock typewriter (the famous items
of evidence that nailed down the case against Alger Hiss), and
an old woody station wagon like the one Nixon used for his 1950
race for the Senate against Helen Gahagan Douglas. A 1952
television set plays the "Checkers" speech, the mawkish little
masterpiece that saved Nixon's vice-presidential candidacy in
1952. Another television set plays the 1960 debates against
John Kennedy, which may have cost Nixon the election. In a
Watergate section, one can listen to three excerpts from the
White House tapes and see a montage of the last day in the
White House.
</p>
<p> One room displays bronze-tone, life-size statues of 10 world
leaders, including Charles de Gaulle, Konrad Adenauer, Winston
Churchill and Mao Zedong. Trying to hurry history's verdict,
Nixon has always had a habit of dressing the set with giants,
setting the delay timer, and then jumping into the picture
himself.
</p>
<p>By Lance Morrow/Yorba Linda.
</p>
</body>
</article>
</text>